“Sean Lavery’s partnering of a buoyant Patricia McBride in the Intermezzo [of Brahms-Schoenberg Quartet] was exemplary in its easy elegance and graciousness. Mr. Lavery made clear every gesture of his arms and hands, and he used that tall body of his to interesting effect in moments that called for a twisting thrusting upper torso.”
--Jennifer Dunning, New York Times, 1985
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